He might be announcing that he’s done with the role of James Bond now, or he might be. The commercial is Craig’s way of announcing it, yet it is a kind of commercial that leaves all the dust beside the point. Yes, Craig probably got a paycheck that most movie stars would envy, and he’s using his own image to sell a product, which is why the commercial becomes so rare in a movie star’s commercial. As Craig dances and saunters through a swank hotel in Paris, it’s two minutes of frozen bliss in his own aesthetic viral strike-a-pose. Then, it would be no mistake to say that it’s everyone’s talking about, at least one of the best scenes in the movie if it were a scene from Craig’s latest film, directed by Taika Waititi and starring Daniel Craig, the new Belvedere Vodka commercial.

Course, Out: Knives A Onion: Glass “film a have does Craig, of course, Input: come to about film a have does Craig, of course, Out: Knives A Onion: Glass “film a have does Craig, of course, Input: come to about film a have does Craig, of course, Out: Knives A Onion: Glass “film a have does Craig, of course, Input: come to about film a have does Craig, of course, Out: Knives A Onion: Glass “film a have does Craig, of course, Input: come to about film a have does Craig, of course, Out: Knives A Onion: Glass “film a have does Craig, of course, Input: come to about film a have does Craig, of course, Out: Knives A Onion: Glass “film a have does Craig, of course, Input: come to about film a have does Craig, of course, Out: Knives A Onion: Glass “film a have does Craig, of course, Input: come to about film a have does Craig, of course.

Stirred and possibly even shaken, this is the moment when he initially presents that persona with a twist. Craig, I suspect, will execute a variation of the same thing; he will establish his career after Bond based on the persona he created as Bond out of his innate confidence. His commanding and occasionally playful ruthless charm was infused with a post-Bondian flair when you consider the actor Connery ultimately evolved into (in movies as diverse as “The Man Who Would Be King,” “The Russia House,” “Indiana Jones and the Last Crusade” and “The Rock”). Sean Connery, the greatest actor to portray Bond prior to Craig, took a considerable amount of time to find his footing after he moved on from 007.

The commercial tells a story about two characters engaging in a dialogue. One character tells his story through his body, while the other character tells his story through his face. If you look at the rugged face of the dude king-stud in the commercial, you can see the worn look on his granite-like face. Yet, the commercial also portrays a different kind of masculinity, a more fluid and sexually appealing one, which is unique to Bond. It almost feels like a joke that Bond, who is known for his masculinity, is portrayed in a way that he could be dancing and preening in a hot and funky dance club in a hotel, playing the role of “Himself,” portrayed by Craig. Here’s what’s cool and fun about the Belvedere commercial.

In the opening moments, Craig approaches the camera as he stands on a bridge staring out at the Seine, dressed in a white suit with his shirt open. He’s playing a broken, throwaway smirk that lets us know he’s in a trance-like state, surrounded by the camera circles of Craig letting us drink in the severity of his features. Griggs kicks off a terrific original song by Rita Ora, which presumably takes us to heaven (or where Bond died) as “No Time to Die” comes in.

In a confidently attractive manner, he sarcastically wipes the perspiration off his own face, taking a handkerchief from the hotel doorman and confidently walks ahead, experiencing it a bit more, then performs a small dance move, feeling the rhythm, as he discards the sunglasses, he strolls along the cobblestone bridge, conveying the message that Craig has undergone a transformation — as the toughest and most rugged individual you have ever witnessed. However, even individuals with a rough exterior sometimes just want to enjoy themselves. It appears as if it was created for a Kenneth Anger adaptation of George Michael’s “Faith” music video, he is currently dressed in a black sleeveless top, silver hip-hop chain, sunglasses, and a black leather jacket, he slips into the back of a Rolls Royce and smoothly exits the other side, still maintaining a James Bond persona, swiftly maneuvering through a crowd of paparazzi.

The amazing balletic grace of his moves, already parodied as the hardass robotic Walken-as-Walken, played off the contrast between his scowling middle-aged features and the whole video. Although a lot of people didn’t know, he had a song-and-dance background; it’s clear that when Walken starred in that video, he made a great homage to Spike Jonze’s 2001 video for “Weapon of Choice” by Bootsy Collins, Slim Fatboy, and Belvedere. In the video, Walken showed off his extraordinary dance moves as he shimmied and bopped his way through an empty luxury hotel. It’s clear that he conceived it as a homage to Spike Jonze’s great video for “Weapon of Choice” by Bootsy Collins, Slim Fatboy, and Belvedere in 2001. Taika Waititi, the gifted director of “Thor: Ragnarok” and its sequel “Thor: Love and Thunder,” is a passionate filmmaker.

The room for the cool too always will be Craig Daniel that know us letting kicker inspired all it with caps Waititi But drink that earn to through way his fight to had he action the were moves dance those if as “Finally,” saying and vodka ice-cold an sipping (started he where back him lands ultimately commercial The boy party 21st-century ageless) maybe and aging as reborn and resurrected century 20th the of creature quintessential the that’s Bond, he’s water on walk he clothing of layers sheds he twerks, he boogies, he struts, he hips his thrusts he fingers, his snaps he commercial the in but someone kill to about he’s like looks still Craig Daniel that know us letting kicker inspired all it with caps Waititi But drink that earn to through way his fight to had he action the were moves dance those if as “Finally,” saying and vodka ice-cold an sipping (started he where back him lands ultimately commercial The boy party 21st-century ageless) maybe and aging as reborn and resurrected century 20th the of creature quintessential the that’s Bond, he’s water on walk he clothing of layers sheds he twerks, he boogies, he struts, he hips his thrusts he fingers, his snaps he commercial the in but someone kill to about he’s like looks still Craig Daniel that know us letting kicker inspired all it with caps Waititi But drink that earn to through way his fight to had he action the were moves dance those if as “Finally,” saying and vodka ice-cold an sipping (started he where back him lands ultimately commercial The boy party 21st-century ageless) maybe and aging as reborn and resurrected century 20th the of creature quintessential the that’s Bond, he’s water on walk he clothing of layers sheds he twerks, he boogies, he struts, he hips his thrusts he fingers, his snaps he commercial the in but someone kill to about he’s like looks still Craig Daniel that know us letting kicker inspired all it with caps Waititi But drink that earn to through way his fight to had he action the were moves danceOutput: The space for the chilly also will always be occupied by Craig Daniel who knows us allowing kicker inspired all of it with caps Waititi. However, he had to fight his way through to earn that drink, as if the dance moves were the action. Saying “Finally,” he sips an ice-cold vodka while back where he ultimately lands in the commercial. The boy at the 21st-century ageless party may be aging, but he is reborn and resurrected as the quintessential creature of the 20th century, that’s Bond. He walks on water, shedding layers of clothing. He twerks, boogies, struts, thrusts his hips, snaps his fingers, and dances in the commercial. But he still looks like Craig Daniel, who knows us, letting kicker inspired all of it with caps Waititi. However, he had to fight his way through to earn that drink, as if the dance moves were the action. Saying “Finally,” he sips an ice-cold vodka while back where he ultimately lands in the commercial. The boy at the 21st-century ageless party may be aging, but he is reborn and resurrected as the quintessential creature of the 20th century, that’s Bond. He walks on water, shedding layers of clothing. He twerks, boogies, struts, thrusts his hips, snaps his fingers, and dances in the commercial. But he still looks like Craig Daniel, who knows us, letting kicker inspired all of it with caps Waititi. However, he had to fight his way through to earn that drink, as if the dance moves were the action. Saying “Finally,” he sips an ice-cold vodka while back where he ultimately lands in the commercial. The boy at the 21st-century ageless party may be aging, but he is reborn and resurrected as the quintessential creature of the 20th century, that’s Bond. He walks on water, shedding layers of clothing. He twerks, boogies, struts, thrusts his hips, snaps his fingers, and dances in the commercial. But he still looks like Craig Daniel, who knows us, letting kicker inspired all of it with caps Waititi.

Can anyone guess what Craig’s future holds? Could he possibly pursue a career in music? And why not? Will he even portray characters in James Bond movies that are colder and more intense than ever before? The real point is that his oyster is served with chilled vodka, but the real point is that his oyster is served with chilled vodka. It’s evident that Daniel Craig has inner demons that bring him happiness.